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Antique Frames Selection

“The frame is the reward for the artist.”


Edgar Degas

Click the thumbnail-size image to view the item at a larger scale.

 
Edwin Walter Dickinson, Screen Door   1. Edwin Walter Dickinson, Screen Door

Period American frame, c. 1930’s, carved and silver gilded. Painting from a private collection, Edwin Walter Dickinson, Screen Door, oil on canvas, 24” x 23 3/4”.

 
 
Henry Peters Gray, The Spirit Of The Times, c. 1861   2. Henry Peters Gray, The Spirit Of The Times, c. 1861

Antique American frame, c. 1860’s, incised liner, applied ornament and gilded. Painting from a private collection, Henry Peters Gray, The Spirit Of The Times, 1861, oil on canvas, 9” x 7”.

 
 
Anna Falconnet Hunter, Young Child, c. 1883   3. Anna Falconnet Hunter, Young Child, c. 1883

Original Stanford White frame, c. 1890’s, applied ornament and gilded, from the Eli Wilner & Company Collection. Painting from a private collection, Anna Falconnet Hunter, Young Child (Artist’s Niece) [Miss Anna Dunn], 1883, oil on canvas, 18 1/2” x 9 1/4”.

 
 
George Cochran Lambdin, A Recruiting Party, c. 1864   4. George Cochran Lambdin, A Recruiting Party, c. 1864

Antique American frame, c. 1870, applied ornament and gilded, from the Eli Wilner & Company Collection. Painting from a private collection, George Cochran Lambdin, A Recruiting Party, 1864, oil on canvas, 10 1/2” x 14”.

 
 
Dale Nichols, Haying, c. 1948   5. Dale Nichols, Haying, c. 1948

Period American frame, modernist style, c. 1930’s-40’s, painted and rubbed surface, from the Eli Wilner & Company Collection. Painting from a private collection, Dale Nichols, Haying, 1948, oil on canvas, 22 1/4” x 34 1/8”.

 
 
Charles Sprague Pearce, Returning Home, c. 1890’s   6. Charles Sprague Pearce, Returning Home, c. 1890’s

Antique American frame, c. 1890, applied ornament and gilded. Painting from a private collection, Charles Sprague Pearce, Returning Home, 1890’s, oil on canvas, 29” x 23 1/2”.

 
 
Edward H. Potthast, Souvenir of Canada   7. Edward H. Potthast, Souvenir of Canada

Antique American frame, c. 1900, applied ornament and gilded. Painting from a private collection, Edward H. Potthast, Souvenir of Canada, oil on canvas, 24” x 36”.

 
 
Julius LeBlanc Stewart, Woman In An Interior, c. 1895   8. Julius LeBlanc Stewart, Woman In An Interior, c. 1895

Antique American frame, c. 1885-95, applied ornament and gilded, from the Eli Wilner & Company Collection. Painting from a private collection, Julius LeBlanc Stewart, Woman In An Interior, 1895, oil on canvas, 36” x 25 1/2”.

 
 
Abbott H. Thayer, Pensive Model   9. Abbott H. Thayer, Pensive Model

Antique Stanford White style frame, c. 1900, applied ornament and gilded. Painting from a private collection, Abbott H. Thayer, Pensive Model, oil on canvas, 18 3/4” x 14”.

 
 
Albert Bierstadt   10. Albert Bierstadt

Antique American frame, c. 1860’s, applied ornament and gilded. Painting from a private collection, Albert Bierstadt, oil on panel, 4” x 7 3/16”.

 
Albert Bierstadt, Buffalo Trail: The Impending Storm, 1869   11. Albert Bierstadt, Buffalo Trail: The Impending Storm, 1869

American period frame, circa 1870 with leafy acanthus patter in the cove and a laurel leaf and berry motif at top edge. Museum purchase, through the gift of Mr. and Mrs. Lansdell K. Christie Acc.#60.1. Period frame: Accession #1990.22 Museum Purchase, with funds provided by William Wilson Corcoran, Buffalo Trail: The Impending Storm, 1869, oil on canvas, 29 1/2" x 49 1/2".

 
 
Georgia O’Keeffe, Abstraction-Red and Blue, c. 1916   12. Georgia O’Keeffe, Abstraction-Red and Blue, c. 1916

Period American frame, c. 1930’s, carved and silver gilded. Painting from a private collection, Georgia O’Keeffe, Abstraction-Red and Blue, 1916, watercolor on paper, 11 7/8” x 8 7/8”.

 
 
Fitz Henry Lane, Boston Harbor, 1856   13. Fitz Henry Lane, Boston Harbor, 1856

American period frame, c.1850s, with sanded cove, applied composition ornament with a twig top rail accented by a foliate motif clustered at the corners and centers, and a gilded surface. Collection of the Amon Carter Museum, Boston Harbor, 1856, oil on canvas, 25 1/2 x 42 1/2".

 
 
Winslow Homer, A Light on the Sea, 1897   14. Winslow Homer, A Light on the Sea, 1897

American period frame, circa 1900 wide, flat gilded oak with a twist ornament near the slight edge. Museum Purchase, Gallery Fund Acc. Period Frame: Acc. #2000.5. Gift of The Women's Committee of the Corcoran Gallery of Art and a partial gift of Eli Wilner & Company, A Light on the Sea, 1897, oil on canvas, 28 1/4" x 48 1/4".

 
 

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